Charles Dibdin

Charles Dibdin. Charles Dibdin was a British composer, musician, dramatist, novelist and actor. With over 600 songs to his name, for many of which he wrote both the lyrics and the music and performed them himself, he was in his time the most prolific English singer-songwriter. He is best known as the composer of “Tom Bowling”, one of his many sea songs, which often features at the Last Night of the Proms. He also wrote about 30 dramatic pieces, including the operas The Waterman (1774) and The Quaker (1775), and several novels, memoirs and histories. The son of a silversmith, Dibdin was privately baptised on 4 March 1745 in Southampton and is often described as the youngest child of eighteen born to a 50-year-old mother. His parents, intending him for the clergy, sent Dibdin to Winchester School, but his love of music soon diverted his thoughts from the clerical profession. He possessed ‘a remarkable good voice’ at a young age and was in demand for concerts even as a boy. Anthems were composed for him by Mr Kent and his successor Mr Fussell, organists of Winchester Cathedral, where he was a chorister between 1756 and 1759. He went to London at the age of fifteen at his brother’s invitation, and was first employed tuning harpsichords in a music warehouse in Cheapside. Through Mr. Berenger he was introduced to John Rich (of whom he became a favourite) and John Beard, and, growing addicted to theatre-going, he soon became a singing actor at Theatre Royal, Covent Garden. As his voice was not yet settled, Rich thought he would become a bass, and marked out the pantomime roles of Richard Leveridge for him. Dibdin held back from this path, but made the most of his introductions: when Rich died in 1761 and Beard succeeded him as manager and part-proprietor, fresh opportunities arose. With Beard’s encouragement Dibdin wrote his first work, both words and music of The Shepherd’s Artifice, an operetta in two acts, which was produced as Dibdin’s benefit at Covent Garden on 21 May 1762 and repeated in 1763.[4][5] As an actor, Dibdin had constant opportunities to study Garrick’s performances, and befriended his associates, notably his prompter, who could remember Cibber. He enjoyed two seasons touring at the Vauxhall in Birmingham, and another at Richmond. Beard exercised a benign and encouraging influence over Dibdin’s early career, choosing him, in his first important appearance, for the part of Ralph, in the 1765 premiere of Samuel Arnold’s opera The Maid of the Mill at Covent Garden. He gained so much success over a run of more than fifty nights, that ‘Ralph’ handkerchiefs were worn in compliment to him. He agreed to article himself, both as actor and musician, to Beard for three years at a salary rising from three to five pounds a week. However, his contract established a precedent by which actors were not paid in case of absence through sickness. Reference: Wikipedia